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About

About Jilid Skripsi

What Jilid Skripsi is for, who writes it, how claims are checked, and where to write when we get something wrong.

About this blog

This is a blog and nothing more complicated than that. Nothing is deleted once it is up, so the archive is the full record, written to the standard of the line under the logo, Naskah rapi sampai sidang.

Jilid Skripsi exists for one reason. Most pages about jilid dan cetak skripsi are written to sell something, and very few are written by people who will still be here to answer for what they published.

What we cover

  • Games. Video game dan game online dari sudut mahasiswa tingkat akhir, perpustakaan, kertas, dan dunia buku.
  • Jenis Jilid. Hardcover, softcover, spiral, dan lakban: kapan masing masing dipakai dan apa yang biasanya diminta kampus.
  • Cetak dan Kertas. Gramatur kertas, cetak warna atau hitam putih, dan cara menghitung biaya cetak sebelum datang ke percetakan.
  • Format Naskah. Margin, penomoran halaman, daftar isi, dan aturan pedoman kampus yang paling sering membuat naskah ditolak.
  • Menjelang Sidang. Revisi terakhir, berkas yang dibawa, jumlah eksemplar, dan jadwal yang masuk akal sebelum hari sidang.
  • Kehidupan Kampus. Ritme semester akhir, bimbingan, dan cara bertahan waktu skripsi terasa tidak selesai selesai.

Nothing gets filed under three headings at once. If a piece does not have an obvious home, that usually means it has not been thought through yet. The busiest sections are games, jenis jilid and cetak dan kertas.

How this is put together

Each article answers one question about jilid dan cetak skripsi and then stops. Padding a page to look thorough is the easiest way to waste a reader's afternoon.

We are independent. Nobody pays for a favourable mention, and the wording of an assessment does not change because a partner asked.

If you want the mechanics rather than the summary, the editorial policy has them, including what we refuse to publish.

Where we stop

There are questions we routinely decline. Anything that depends on facts only you can see, and anything where being wrong would cost you real money on our say so.

Bylines

You can see who wrote what, and you can see everything else they wrote. That is deliberate, because it makes a bad article expensive for the person who wrote it.

Rania Kusumawardani, Editor, jilid dan cetak. Rania bertahun tahun menjaga meja percetakan dekat kampus di Malang. Ia sudah melihat ratusan skripsi ditolak karena hal kecil seperti warna sampul atau urutan lembar pengesahan, dan menulis supaya itu tidak terjadi pada pembaca.

Bagas Pradipta, Penulis games. Bagas menyelesaikan tesisnya sambil tetap main game online hampir setiap malam. Ia menulis tentang video game dari sudut orang yang sedang dikejar tenggat, lengkap dengan kebiasaan yang berhasil dan yang tidak.

Sekar Ayuningtyas, Penulis format naskah. Sekar pernah menjadi asisten pemeriksa format di fakultas dan masih hafal margin 4 4 3 3 di luar kepala. Ia menulis soal aturan naskah, revisi, dan detail visual yang luput dari mata orang yang terlalu lama menatap draf.

Corrections

Corrections go to info@jilidskripsi.com. Quote the sentence rather than describing it. We would rather log a visible correction than edit a page and hope nobody noticed, and the contact page explains the rest.